Eroticism and Sexual Representation in Indian Postmodern Cinema: Negotiating Desire, Censorship, and the Gaze

Galaxy: International Multidisciplinary Research Journal
ISSN: 2278-9529  |  www.galaxyimrj.com

Peer-Reviewed
Open Access

Humanities & Arts

Eroticism and Sexual Representation in Indian Postmodern Cinema: Negotiating Desire, Censorship, and the Gaze

Ms. Chinmoyee Saikia (Research Scholar, Department of English, Assam University Silchar, Assam, India)

Volume / Issue
Vol. 15, Issue 5 (September 2026)
Pages
171–185
Article ID
2026V15N5020
● Open Access
CC BY 4.0
DOI via Crossref
Abstract
Erotic and sexual representation in Indian postmodern cinema reflects a nuanced negotiation between desire, cultural norms, censorship, and evolving gender politics. Moving beyond the conventional romanticised imagery of earlier Bollywood, contemporary filmmakers explore complex depictions of intimacy, sexual identity, and power. Films such as The Dirty Picture (2011) and Lipstick Under My Burkha (2016) foreground female sexual desire while challenging patriarchal constraints, while Kapoor & Sons (2016) and Aligarh (2015) address LGBTQ+ identities with empathy and depth. Fire (1996) broke ground by portraying a lesbian relationship, and Margarita with a Straw (2014) explores the intersection of sexuality, disability, and queer identity. These works challenge heteronormative frameworks and reframe the traditional male gaze by introducing female and alternative gazes that grant characters, particularly women, sexual agency and subjectivity. Navigating the strictures of the Central Board of Film Certification, directors have long relied on metaphor, symbolic imagery, and the song sequence to convey eroticism within cultural constraints. Postmodern representation also expands erotic discourse beyond romance, engaging with exploitation (Parched, 2015), consent, and identity, revealing how sexuality operates as a site of both resistance and negotiation in a socially conservative milieu. While persistent taboos and moral policing continue to shape what can be shown, Indian postmodern cinema has emerged as a contested yet transformative space, one that reflects and influences ongoing shifts in societal attitudes toward gender, sexuality, and erotic expression.
Keywords
patriarchy censorship sexual identity representation eroticism male gaze
Article History
Received
1 Sep 2026
Accepted
19 Sep 2026
Published Online
30 Sep 2026
How to Cite
Saikia, Chinmoyee. “Eroticism and Sexual Representation in Indian Postmodern Cinema: Negotiating Desire, Censorship, and the Gaze.” Galaxy: International Multidisciplinary Research Journal, vol. 15, no. 5, Sept. 2026, pp. 171–185. https://doi.org/10.66376/galaxy.v15.n5.10

Copyright

© 2026 Chinmoyee Saikia. Published by Research Centre for English Language and Literature (RCELL) under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You are free to share and adapt this material provided appropriate credit is given.

Galaxy: International Multidisciplinary Research Journal  |  ISSN: 2278-9529  |  Published by RCELL  |  www.galaxyimrj.com
Scroll to Top